|Cape St. Elias, AK|
Description: On July 20, 1741, Captain Vitus Bering named Cape St. Elias, which peaks at a height of 1,665 feet, for the saint whose day it was according to the Russian Orthodox Church calendar. The cape is actually the southwestern end of Kayak Island, which retains the name given it in 1826 by Lieutenant Sarichef of the Russian Navy for the island’s resemblance to an Eskimo skin canoe. The defining feature of the island is Pinnacle Rock that stands a half-mile off the western end of the cape like a giant exclamation point. Due to hidden rocks and reefs, the waters around the cape were regarded as one of the most dangerous points along the entire Alaskan coast.
The first attempt at establishing a light to mark Cape St. Elias was in 1912, when the lighthouse tender Armeria left Seattle, bound for Alaska where it was scheduled to deploy fourteen acetylene light buoys. Each of these lights was equipped with storage tanks that could keep a beacon burning day and night for at least six months. While anchored off Cape Hinchinbrook in preparation for delivering supplies to the lighthouse established there in 1910, the Armeria was driven onto an uncharted rock by heavy swells. With a hole in the hull and water entering the engine room, the captain had no choice but to beach his craft.
A party of six men, supervised by engineer Harry Fuller, landed at Kayak Island on May 13, 1915 to set up camp and conduct a topographic survey of the site in preparation for the imminent construction of the lighthouse. Superintendent Ralph Tinkham arrived at the island on June 1 from Ketchikan with lumber, skilled labor, provisions, and a cook. Tinkham noted that a good cook was essential for camp morale and was pleased to have found Tom Pierce a “good natured and irrepressible Negro who was the life of the camp.” Pierce “had been in practically every gold camp in Alaska since 1898,” working magic with his portable cook stove. F.J. Dohrer would serve as the project foreman.
Tinkham spent five weeks on the cape finishing his designs for the station’s structures and selecting their locations. The lighthouse was built on a terrace, forty-two feet above the water, and consisted of a two-story, twelve-foot-square tower attached to the southwest corner of the one-story, 25’ x 36’ fog signal building. Most of the construction party left the cape on October 7, having completed the reinforced concrete work required for the lighthouse, a storage building, and a retaining wall for the keepers’ dwelling. Two men were left behind to tend a small light and serve as camp caretakers.
Tom Pierce returned in May of 1916 with the construction crew to serve as cook for the second season at Cape St. Elias. However, he was already in ill health and succumbed to a “paralytic stroke” later that month. When healthy enough to travel, Pierce was taken to a hospital in Ketchikan. After a three-week stay, he seemed like his old self, but three days later, on June 30th, he was found dead in his cabin from a self-inflected revolver shot.
Supplying the construction site was troublesome, so the island’s resources were used when possible. Over 190,000 bricks were made on site from sand and gravel procured from the beach. These bricks were used during the second season to construct a boathouse, hoist house, and the keepers’ dwelling. Besides having storage space for three dories, the boathouse sheltered a six-horsepower engine for pulling a car up the tramways that extended to both the east and west beaches. The hoist house was located just east of the dwelling and contained a nine-horsepower engine for pulling a cart up the tramway from the boathouse to the storage house, located just north of the lighthouse.
The two-story keepers’ dwelling rested atop a basement where a heating plant was located along with storage space for coal and other provisions. A kitchen, pantry, dining room, office, and a spare room for visitors were found on the first floor, while four bedrooms and a bathroom were situated on the second floor. Five tanks for storing water were located in the attic.
Cape St. Elias’ fog signal equipment, consisting of duplicate sirens blown with compressed air generated by two eighteen-horsepower engines, had also been on display at the exposition in San Francisco. The outlet for the sound, originally a double blast every minute, was a pair of Y-shaped, double-mouthed copper trumpets. The unique shape of the trumpets was used to direct the sound around either side of Pinnacle Rock. The fog signal was placed in commission on January 30, 1917.
When completed, Cape St. Elias was considered one of the most important stations on the Alaskan coast as it was a landfall light for vessels bound to Prince William Sound or Cook Inlet from either the Pacific Coast of the United States or from Southeast Alaska. A radio beacon was installed at the station in 1927 to further aid navigation.
William McClosky Jr. recalls a trip to Cape St. Elias aboard the USCGC Sweetbrier in 1962 to investigate “repeated dead-of-night calls from a seaman on watch, who kept breaking into sobs.” McClosky relates that they “found a boatswain’s mate in charge, remembered by a former shipmate as a sturdy fellow, who had developed a disturbing giggle and whose eyes, framed in a sallow face, wandered to far horizons. He had made himself emperor of the station. Advisories to his three subjects were posted everywhere in their cramped quarters: ‘Wipe your damn boots – THIS MEANS YOU’ and ‘No loud talk or damn laughing anytime – THIS MEANS YOU’.” The removal of the deranged coastguardsman from the station must have been a relief to his crew. The isolation of the cape definitely had an affect on people as just a year before this incident, one of the crew had rowed out to sea in a dinghy to relieve his claustrophobia and never returned.
At 5:36 p.m. on Good Friday, March 27, 1964, the largest earthquake ever to occur in the United States struck Prince William Sound. The keepers at Cape St. Elias felt the quake for five full minutes, but it did little damage to the station, even though it caused an uplift of between six to eight feet. Frank Reid was photographing the nearby sea lion colony when his leg was broken by a quake-triggered rock fall on Pinnacle Rock. When Reid didn’t return to the station, his three comrades went to search for him. While carrying the injured Reid back to the station, the crew was caught in a tsunami that flooded the gravel bar leading to Pinnacle Rock with chest-deep water. The men survived the first wave, but just seconds later a ten-foot surge swept them all into the sea. Frank Reid drowned, but the other men survived.
The Cordova Times edition of October 31, 1968 carried a notice that the Seventeenth Coast Guard District planned to automate five Alaskan light stations, including Cape Hinchinbrook and Cape St. Elias. Technological improvements in automatic aids made possible the automation, which would result in an annual savings of $15,000 per station. The automation, scheduled to begin in July of 1970, was estimated to take approximately five years, but the process finished ahead of schedule at Cape St. Elias and Cape Hinchinbrook as both stations lost their personnel in 1974.
Kevin Anderson recorded his feelings on the automation of Cape St. Elias in the station’s logbook. “Saint Elias light is now history. It was downgraded to a minor aid. It seems the best things in life weren’t meant to last. This has been the best job I reckon I will ever have the pleasure of doing. I just hope these lighthouses are never forgotten.” The Cape Saint Elias Lightkeepers Association, organized in 1997 to restore and preserve the buildings on the cape, is working to fulfill Anderson’s wish.
Head Keepers: Frank W. Ritchie (at least 1919 - at least 1921), Edward M. Toman (at least 1930), Dan Kinnaley ( - 1940), Charles Eltman (1940 - ).
Located on the southwestern end of Kayak
Island, sixty-five miles southeast of
Cordova. The lighthouse is owned by the Coast Guard. Grounds open, dwelling/tower closed.
The lighthouse is owned by the Coast Guard. Grounds open, dwelling/tower closed.
Pictures on this page copyright Kraig Anderson, Toni Bocci, used by permission.